人的生物钟好像不愿轻易改变，虽然看球到两三点，早上还是按例会在固定时间醒来，上午精神也还不错，就是到了中午容易犯困，毕竟睡眠时间不足。临近中午某帅哥致电要求过来吃饭，由于寒舍御膳房水管出了点小问题无法开灶，遂无情拒之。天气预报说今天会下大雨，结果是艳阳高照，热乎乎的天气真叫人不爽，心想索性去活动活动出出汗，于是顺便约了该帅哥下午打球。中午出去觅食，又去了超市，偶第一次刷卡消费，不用付现金，这样刷不知道会不会上瘾，从超市出来，同行某男竟然发现口袋里还有几节电池没付钱，汗。下午睡了一觉，养好精神，出去活动了，某帅哥及其同居密友已经在杭商网球场订了场地，遂前往，杭商好生热闹，摆地摊卖书的到处都是，mm也挺多，在人群中偶很快发现了该帅哥，正与其密友鏖战，很久没打网球了，偶状态反倒是不错，一两个小时下来，酣畅淋漓，真是痛快，偶发现越来越喜欢这项运动了。球毕，到帅哥住处参观指导，乃一环境幽静之小区，周围竖着很多八荣八耻的标语，暗想帅哥最近应该精神境界有所提高，果然，帅哥以bg为荣不bg为耻，主动提出在家bg偶，看到他买了那么多菜偶当然不会拒绝（在此特别感谢hu core，让人民群众的rp都上了一个台阶）。帅哥的厨艺不俗，一看厨具的档次就知道，由于初次在外人面前露一手，备感压力，肌肉紧张，据说灭有发挥最佳水平，不过已经很不错了，本着不劳动者不得食的精神，偶也只能客场献艺，两道小菜，正常发挥，所幸没有被嘘。八点终于可以开饭了，肚子早就饿的叽里呱啦，这一刻真是万众期待，偶们只花了不到烧饭时间1/3的功夫就把所有菜一扫而光，连碗底都不剩，某个饭碗边上还发现少了一块瓷，战斗力不可谓不强。食毕，看球时间又到了，葡萄牙vs伊朗，上半场比较沉闷，看得几欲睡着，下半场开场依旧如故，其间尽忠职守的小区管理员来敲门要求偶们把自行车位让出来，就在出去停车的几分钟内葡萄牙进球了，恍然大悟，原来这进球与偶有关啊，偶早该出去吹吹风了。看完球，打道回府，回去继续看捷克队的比赛，不料捷克开场就被加纳灌了一个，刚刚又送给加纳一个点球，可惜罚球没进，本届世界杯缺少黑马，少了很多惊喜，今天奇迹会不会发生呢，虽然从感情上还是支持捷克的。

现在的时间是18号了，又是新的一天，今天是父亲节，该给父亲一声问候的。父亲这一段时间来为了他的父亲母亲奔波劳累，希望他健康，也希望他的父亲母亲健康。

It's an unfamed team. We are not familiar with most of these players, even haven't heard their names. However, It's the most worshipful team I have seen since the world cup kicks off.

Being diligent and fortitudinous, they offers an inspiring match. Given a little bit luck, they can be the winners of that match. What the pity is the miracle didn't happened finally in the wee hours of today, but they are not losers!

受国际体育环境和欧洲足球风潮影响，本月财务支出缩减计划面临重重困难，经研究决定，拟斥巨资购置一台电视机，以备特殊时期特殊需要。没想柳暗花明又一村，经过与房东协商，甲方房东果断地答应了为乙方购买二手电视机的合理要求，作为乙方，对甲方的行为深表赞赏。遂于傍晚到物美附近的旧货交易市场淘宝，经过科学分析和比较，购得一性价比较高之TCL王牌彩电，置于客厅，顿觉客厅熠熠生辉，开机观之，大悦，原来有线早已接通，哇哈哈，免去了开户的麻烦。

总结购置电视机的几大好处：

1.极大地提高客厅的利用率，提高房屋租金的性价比。

2.减少电脑使用时间，减少辐射，有利人体健康。

3.以后使用过程中不断补充。。

坏处也有：

1.世界杯期间可能导致上班迟到，白天工作效率下降。

2.据说多看电视会让人增加空虚感。

3.留待补充

想看世界杯，但是那个时候应该是工作最忙的时候了，真是难以取舍。问君能有几多愁，恰似一江春水向东流。

补充一下，今天的红烧肉粉好吃，高人指点果然不一样。 

唧唧复唧唧，木兰当户织。。。早上醒来无端想起这句话，暂且搁在这里，与文章无关。分析本文中心思想时，可以略去。

过了端午，过了六一，又过了六二节，六二这个节日是杭州某一特殊人群的节日，竟然发现与俺们也扯上了点干系。最近在开发的产品当初随便取了个名字叫MyBox，没想翻成中文正好和杭州话“六二”的发音相同，实在是始料未及。“六二”快要出世了，在六二节这天为了“六二”加班到12点，是一件多么有意义的事情啊。此段文字与本文关系也不大，可以选择性略去。

朱德庸有本漫画叫《关于上班这件事》，名字偷来用用，漫画里是这样描述上班这件事的：不管你住地球哪一面，每天九点钟走上街道，你会看到这个城市里最大的一个族群正在快速移动而去，到下午五点钟，这个族群会再度回来，每一座城市，每天。很早以前以为的工作基本也是和“朝酒晚舞”划等号的，现在才发现自己的生活已经是“朝食晚酒”的了，和大学时代的生活没有太多不同，时间相同，环境相同，不同的只是地点。

原来写学年小结的时候总会用上诸如不知不觉、转眼即逝之类的陈词滥调，来表示光阴似箭，表达对那个学年的怀念，的确，美好的日子总是觉得短暂，然而现在又要再发感叹了，忙碌的时间也是不知不觉流逝的。正式工作已经满两个月了，如果从去年年底开始算，应该已经超过半年了。昨天组里几个同事兼同学还在感叹，怎么这个星期又过去了，是啊，mmd，时间怎么过得这么快。

上班了，终于是自食其力、自力更生了，嗯。。特殊的时间，又要来纪念一把了。

 

曲终人散，情绪淡了下来，儿童节夹带着细雨又来到了我的时间里，冒雨骑行在寂静的马路上，在夏夜感受雨丝的清凉。

在端午节的最后几个小时里终于如愿等到了一个粽子，很满意地度过了这一天。时光荏苒，今天又是一个儿童节，儿童节的气球在眼前飞了几圈，终究还是跑掉了。对于这个节日来说，俺ms已经是个老家伙了。。。

 

儿童节，没有期待。

Be Simple, Be Naive, Be Happy Like a Child.

已经几个礼拜没有去过学校了，虽然工作的地方和住的地方都离学校很近，但没有什么事总归是不大会去的。今天正好有事又重回学校，以中等徧慢的速度走在校园里，四顾周围，感觉校园的风景真的很美。时间是在黄昏，没有晚霞，冷色调，刚下过雨，空气很干净，微风拂面，让人感受得到凉爽，满眼望去都是新绿，古色和现代的建筑掩映其中，路两侧树冠茂密，弯成拱形，历史的檐角挑出枝头，在逐渐加深的背景中悄然隐去。

离校一月有余，特此记录，以资怀念。

It has nothing to do with art, just a practice.

Looks not bad? Actually,It smells savory and tastes delicious.

One is not born a genius, one becomes a genius.so,try more.

五一期间到南京开会,挑得真不是时候,让俺损失3天法定节假日,不过倒是有机会可以到处玩,我喜欢,嘻嘻

.南京是头一回去,总体感觉还不错,比杭州更具有古都的气息和风范,显得更大气,尤其是那些保存完好的明城墙,环绕着整个城市的中心地带,几大景点如中山陵、明孝陵、雨花台都是中轴线建筑,具有江南一带少有的宏伟建筑风格。另外南京的树都是挺多挺高的，夏天挺清凉，旧城改造不彻底也有好处，树都长的高嘛。

本来这次去南京的正业是作两篇presentation,不过前两天有点不务正业的说，到处逛了逛，两天下来走也走累了，爬也爬累了，开始回头是岸，今天7点不到起了个大早，温习了一下paper,然后去听了一个长得想李金斗的普渡大学的女教授的keynote，说得简直是意大利语，把俺听的差点昏睡，不过醒了还要作presentation,最后一天了估计不务正业的人也多了，听的人真是少，虽然有一片是代讲的，我也不心虚，照着ppt念呗，不过最后有个女的还是不依不挠提问题，我都已经说了我不是作者了，不过该问题没啥技术含量蒙混过关。吃完中饭打道回府，天空雨下的很大，手里还拎着组委会发的几本非常沉的砖头，辛辛苦苦搬回杭州，是不是拿回去也没人要啊，i guess。

        煮雪如果真有其事，别的东西也可以留下，我们可以用一个空瓶把今夜的桂花香装起来，等桂花谢了，秋天过去，再打开瓶盖，细细品尝。

　　把初恋的温馨用一个精致的琉璃盒子盛装，等到青春过尽垂垂老矣的时候，掀开合盖，扑面一股热流，足以使我们老怀堪慰。

　　这其中还有许多意想不到的情趣，譬如将月光装在酒壶里，用文火一起温来喝……此中有真意，乃是酒仙的境界。

　　有一次与朋友住在狮头山，每天黄昏时候在刻着“即心是佛”的大石头下开怀痛饮，常喝到月色满布才回到和尚庙睡觉，过着神仙一样的生活。最后一天我们都喝得有点醉了，携着酒壶下山，走到山下时顿觉胸中都是山香云气，酒气不知道跑到何方，才知道喝酒原有这样的境界。

　　有时候抽象的事物也可以让我们感知，有时候实体的事物也能转眼化为无形，岁月当是明证，我们活的时候真正感觉到自己是存在的，岁月的脚步一走过，转眼便如云烟无形。但是，这些消逝于无形的往事，却可以拿来下酒，酒后便会浮现出来。

　　喝酒是有哲学的，准备许多下酒菜，喝得杯盘狼籍是下乘的喝法；几粒花生米一盘豆腐干，和三五好友天南地北是中乘的喝法；一个人独斟自酌，举杯邀明月，对影成三人，是上乘的喝法。

　　关于上乘的喝法，春天的时候可以面对满园怒放的杜鹃细饮五加皮；夏天的时候，在满树狂花中痛饮啤酒；秋日薄暮，用菊花煮竹叶青，人与海棠俱醉；冬寒时节则面对篱笆间的忍冬花，用腊梅温一壶大曲。这种种，就到了无物不可下酒的境界。

　　当然，诗词也可以下酒。

　　俞文豹在《历代诗余引吹剑录》谈到一个故事，提到苏东坡有一次在玉堂日，有一幕士善歌，东坡因问曰： "我词何如柳七（即柳永）？”幕士对曰：“柳郎中词，只合十七八女郎，执红牙板，歌‘杨柳岸，晓风残月’。学士词，须关西大汉、铜琵琶、铁棹板，唱‘大江东去’。”东坡为之绝倒。

　　这个故事也能引用到饮酒上来，喝淡酒的时候，宜读李清照；喝甜酒时，宜读柳永；喝烈酒则大歌东坡词。其他如辛弃疾，应饮高梁小口；读放翁，应大口喝大曲；读李后主，要用马祖老酒煮姜汁到出怨苦味时最好；至于陶渊明、李太白则浓淡皆宜，狂饮细品皆可。

　　喝纯酒自然有真味，但酒中别掺物事也自有情趣。范成大在《骏鸾录》里提到：“番禺人作心字香，用素茉莉未开者，着净器，薄劈沉香，层层相间封，日一易，不待花蔫，花过香成。”我想，应做茉莉心香的法门也是掺酒的法门，有时不必直掺，斯能有纯酒的真味，也有纯酒所无的余香。我有一位朋友善做葡萄酒，酿酒时以秋天桂花围塞，酒成之际，桂香袅袅，直似天品。

　　我们读唐宋诗词，乃知饮酒不是容易的事，遥想李白当年斗酒诗百篇，气势如奔雷，作诗则如长鲸吸百川，可以知道这年头饮酒的人实在没有气魄。现代人饮酒讲格调，不讲诗酒。袁枚在《随园诗话》里提过杨诚斋的话：“从来天分低拙之人，好谈格调，而不解风趣，何也？格调是空架子，有腔口易描，风趣专写性灵，非天才不辩。”在秦楼酒馆饮酒作乐，这是格调，能把去年的月光温到今年才下酒，这是风趣，也是性灵，其中是有几分天分的。

　　《维摩经》里有一段天女散花的记载，正在菩萨为弟子讲经的时候，天女出现了，在菩萨与弟子之间遍撒鲜花，散布在菩萨身上的花全落在地上，散布在弟子身上的花却像粘黏那样粘在他们身上，弟子们不好意思，用神力想使它掉落也不掉落。仙女说："观菩萨花不着者，已断一切分别想故。譬如，人畏时，非人得其便。如是弟子畏生死故，色、声、香、味，触得其便也。已离畏者，一切五欲皆无能为也。结习未尽，花着身耳。结习尽者，花不着也。”

　　这也是非关格调，而是性灵。佛家虽然讲究酒、色、财、气四大皆空，我却觉得，喝酒到极处几可达佛家境界，试问，若能忍把浮名换作浅酌低唱，即使天女来散花也不能着身，荣辱皆忘，前尘往事化成一缕轻烟，尽成因果，不正是佛家所谓苦修深修的境界吗？

 
-- 摘自《温一壶月光下酒》

Bought a Maksim CD today, and it's great.

Enjoy it!

 

Found some information about this man.

---

Maksim Mrvica 

 

 

Maksim Mrvica (pronounced ‘Máravitsa’ with a rolled ‘r’) was proud of Gestures, his disc of contemporary Croatian piano pieces, he was realistic. He expected it to shift a handful of copies and languish on the shelves like so many other experimental CDs. But he was wrong. It became one of the fastest-selling classical recordings ever to be released in Croatia, and ended up winning four Porin (Croatian Grammies) including one for Best Classical Album. Maksim was even invited to open the Porin award ceremony - an honour not usually granted to a classical artist and caused a sensation with his performance of The Dance of the Baroness.

 

And the reason for this success? Maksim believes passionately in attracting young audiences to classical music, and communicating with them in new and exciting ways. His performances involve drama. He’s not afraid to create atmosphere with video-screens, lighting and laser-shows. Articulate in his manner he likes to dress at the cutting edge of fashion. Most importantly he believes in the power of the music itself to reach people. It was this belief that sustained him when he was putting up his own concert posters in small Croatian towns. It also sustained him when grenades started exploding during the Croatian war, but he remained in the music school basement to practise. And it continues to sustain him now that he has the chance to reach larger audiences than ever before.

 

Maksim’s musical training has been rigorous. He was born in 1975 in ?ibenik, a town on the Adriatic coast. He began piano lessons at 9 (giving his first public performance at the same age) and performed Haydn’s C major piano concerto with an orchestra just 3 years later. War broke out in 1990, but both Maksim and his professor Marija Sekso were determined that he should continue his musical studies. ‘There were a thousand grenades a day in my town,’ he says, ‘but you can’t just stop living - you must go on. And the only thing I could find to help me was my piano.’ Despite the awful circumstances, Maksim entered and won his first major competition in Zagreb in 1993. ‘I’ve always felt that that was my greatest victory, and the most wonderful memory of my whole career,’ he says.

 

After five years at the Music Academy in Zagreb studying with Professor Vladimir Krpan (a pupil of Arturo Benedetto Michelangeli), Maksim spent a year at the Ferenc Liszt Conservatoire in Budapest. During this period (1999) he won first prize in the Nicolai Rubinstein International Piano Competition. In 2000 he moved to Paris to study with Igor Lazko, and in 2001 he gained first prize in the Pontoise Piano Competition held in the French capital.

 

This proved to be a turning point in his career, and when he went back to Croatia he found himself in the middle of intense media interest. There were frequent television appearances and interviews, and soon he was recording his Gestures CD. The spectacular launch recital, in the 2000-seat Lisinski Hall in Zagreb, included a laser show, dry-ice and a video wall, and half of the audience was under 30. ‘I always wanted to take a different approach,’ says Maksim. ‘But when it comes to the music, I don’t allow anything to interfere with my performance or the people who are listening. When I start to play, the lasers stop. I just want to create an exciting atmosphere.’ For the second half of his concert, Maksim threw aside the lasers and videos, donned a suit and performed Rachmaninov’s Second Piano Concerto. ‘I didn’t want to give the critics a chance to bully me!’ he says with a laugh.

 

Soon after this he was spotted by the musician, author and poet Tonci Huljic (composer of several tracks for crossover string quartet Bond), and he put Maksim in touch with impresario Mel Bush. Bush had been looking for some time for an exciting new pianist, and immediately recognised Maksim’s enormous potential to appeal to classical, crossover and pop audiences. EMI Classics was just as excited by the young pianist as Bush, and soon a new album was underway.

 

What are his hopes for this new ‘crossover’ project? ‘Well, it’s not a question of money,’ he chuckles. ‘I was earning quite enough from touring and playing classical concerts. It’s a question of experimenting. I always want to try something different, something new. I just want to reach as many people of all ages with classical music. That’s my dream.’

 

 

THE PIANO PLAYER

GESTE / GESTURES

VARIATIONS PART I&II

A NEW WORLD